Preface...2

Part I. Twenty-Four Détaché Warm-Ups

1. For Single Tonguing...3

2. For Single Tonguing...6

3. For Single and Double Tonguing...10

4. For Single Tonguing...14

5. For Single Tonguing...17

6. For Double Tonguing...21

7. For Single and Double Tonguing...25

8. For Single and Double Tonguing...29

9. For Double Tonguing...33

10. For Single and Double Tonguing...37

11. For Double Tonguing...41

12. For Double Tonguing...45

13. For Double Tonguing/“Bariolage”...49

14. For Double Tonguing/Tremolando...53

15. For Double Tonguing/“Toccata”...57

16. For Double Tonguing...61

17. For Double Tonguing...63

18. For Double Tonguing...67

19. For Double Tonguing/Tremolando...70

20. For Double Tonguing/Tremolando...72

21. For Double Tonguing/Tremolando...76

22. For Triple Tonguing...82

23. For Triple Tonguing/Tremolando...86

24. For Triple Tonguing/Tremolando...90

Part II. Fifteen Legato Warm-Ups

1. “Reaching Out” (To Open the Tone, Bottom to Top)...97

2. “Cécile” A (Legato Warm-up for the Middle Register)...99

2. “Cécile” B (Legato Warm-up for the Middle Register)...102

3. “Sunrise” (For the Middle Register)...105

4. “Norwegian Warm-Up” (To Open the Upper Register)...107

5. “Leipzig” (For the Middle Register)...109

6. “Hymn to Nature” (For the Middle Register)...112

7. “Going Deeper” (To Open the Middle and Lower Registers)...116

8. “Giant Steps” (For Wide Intervals, Sostenuto)...118

9. “Aubade” (For the Middle Register, Sostenuto)...121

10. “Stretching” (For Wide Intervals, Sostenuto)...123

11. “Posthorn” (For Tone and Expression)...126

12. “Good Connections” (For Wide Intervals/Piano, Legato Sostenuto)...128

13. “Berceuse” (For Control and Flexibility in the Upper Register)...138

14. “Making Seamless Connections” (For Control in the Upper Register/Piano, Sostenuto)...141

15. “Rêverie” (For the Upper Register/Piano, Sostenuto)...143